The Hidden Cost of Pivoting

The second blog by Guest Blogger Rebecca Anne Bloom


I remember when I first started performing. Feeling nervous, pre-show jitters. Sensing the sizzling energy of a house full of patrons ready to see some magic unfold. There is nothing like a live performance – an experience that many people have been without since the pandemic hit. 

A blue sky with fluffy white clouds. Picnic tables with red umbrellas are set up on a grassy field/lawn This past week, Globus Theatre opened their Patio Theatre Festival with an almost sold-out play reading of Norm Foster’s Here on the Flight Path. I both greeted patrons and acted in the show, experiencing the excitement of opening night in many ways. I spent time chatting with audience members, many of whom enthusiastically exclaimed how thrilled they were to be out soaking in the theatre along with the sun. Then, I felt the age-old tingle of joy from being on stage, enjoying the sound of laughter and cheers ringing in the air. But despite finally opening the theatre after over six months of being dark, I couldn’t breathe a sigh of relief. For one thing, I didn‘t have time, since on Sunday we had a three-show day, having moved a performance from another day due to rain. But I also carried the weight of a summer theatre season that had been shortened and dismantled due to the province’s staggered re-opening plan.

A large room, a rehearsal hall perhaps, with a wooden floor and pillars. A few chairs are scattered around the room

The original topic for my second blog was going to be how professional theatre venues can be an economic driver for small tourist towns. For Globus Theatre, we were looking forward to recouping some of the losses that 2020 brought. We envisioned an extended summer season from May to September, filled with guaranteed crowd pleasers as well as new and exciting Canadian works. From play readings to concerts and memorable plays, our season was announced and ready to go. But, when the Ontario government announced in early June that there was a new reopening plan, our dreams were dashed. Everything quickly had to change and let me tell you, it’s hard to create a sense of optimism when indoor theatre performances are closed until at least August. It’s even harder to say theatres are economic drivers at the moment, when many are struggling to keep their doors open.  I watched members of artistic teams cry after they heard the news. I sat in board meetings and listened heavy hearted as we crunched numbers and struggled to revise best laid plans. I’ve come to dislike the word ‘pivot’. Behind all the social media posts, the press releases and interviews that enthusiastically describe the latest ‘pivot’ from a local theatre venue, there is a mountain of grief and heartbreak. 

Globus turned on a dime, switching to online shows and take out dinners. From there, our team built and painted picnic tables, assembled umbrellas and tested sound equipment. We booked entertainment, created a new patio menu, patiently waited for Stage 2 to open and scoured weather forecasts just before opening night. There are many factors in play when it comes to changing up a theatre season, and even more when it involves the outdoors. Over the past weekend, at almost every table, I heard the chipper murmur of patrons:

 “Isn’t it great that something cA musician plays on an outdoor stage. Picnic tables with blue umbrellas are set up for patrons to watch the show. A red barn is off to the leftan happen in the theatre?”


“Tell us more about your recent pivot to the outdoors.”

“You should keep doing theatre outside!”

“I bet you’re excited to be back.”

The support from our customers has truly been overwhelming and yes, I am excited to have our season underway. But many theatres were not built for outdoor performance. And many did not foresee having to pivot to digital shows, outdoor stages, and alternative ways to stay afloat in 2021.

As we continue through this latest adventure, I resign to the fact that we cannot predict the future. No one anticipated the pandemic, and we cannot see where it will lead us. Our staff are amazing, they worked tirelessly to make the opening a success. But I know we eagerly look forward to being back to our regular theatre programming. In the meantime, we set our eyes on our next large-scale show, an interactive murder mystery called The Great Cottage Catastrophe that allows the audience to turn detective! We’re busy putting all the pieces into place and creating the Downtown Detective Trail in Bobcaygeon – a ‘live scavenger hunt’ with clues performed by kids from Globus’ School of Dramatic Art. It’s going to be a boatload of fun – hey, maybe I’ll see you there!


A Creek, A Lake, and Multicoloured Pom Poms/Un Ruisseau, Un Lac et des Pompons Multicolores

A new blog by Guest Blogger Samantha Marchionda for Carousel Players


This past weekend, I found myself craving the outdoors. I decided Sunday morning that I would spend as much time outside as my body wanted me to. So I went to my usual spot and hiked away. It was sunny and cloudy, a little cold but bearable, wet and muddy in some spots, but mostly dry. Eventually I found myself in a clearing between the Four Mile Creek and a human-made lake. I stood there for a little while, listening to the reeds blowing in the wind, watching both waters and how different they were. The creek was a deep aquamarine blue, and the lake was a muddy looking brown. The lake was still, unmoving, rippling with the wind, while the creek was flowing, moving, changing. You could hear the movement in it and the washing away of the winter. I stood there and thought to myself how interesting the differences were between these waters.

Golden weeds along a creek


I found that in that moment I felt more like the lake. A bit muddy (good thing I wore my waterproof boots), kind of still, unmoving. When what I really wanted was to hop in a boat, cast off down the creek and go on an adventure! I imagine many of us can relate to this feeling of being stuck. Maybe that’s mentally, physically, emotionally, spiritually, or maybe even socially in our interactions, or lack thereof in the current climate. Don’t we all want it to be over? To be able to attend a loved one’s wedding, celebration of life, birthday, Sunday brunch, to be out in a crowd at a concert, or taking our seats in a theatre, or meeting new people at community events… It’s been quite a year, hasn’t it?

I never thought I would take something like being out in the community for granted. As the Outreach Coordinator for Carousel Players, I was so used to seeing people all over the Niagara Region. In parks, on festival grounds, in streets turned into pedestrian walkways. Waving hello and smiling, back when we could see everyone’s full faces. I miss meeting families and supporters and engaging in conversations so much that I can feel it in my body. I have very fond memories of people I’ve met at community events while representing Carousel Players over the years. 


A street festival. The sky is blue, there are people walking down the road. The sun is shining

Ridgeway Fall Fest


One afternoon in beautiful Ridgeway, Ontario at the Annual Fall Festival, I met an incredible man. This was back when in-person events existed. A volunteer and I were hanging out under the Carousel Players tent waving hello to passers-by and handing out Carousel Players swag as usual, and this man approached us. It was evident that he was highly intelligent and a big thinker. He came out of the gate with these huge questions about politics, the young generation, the economy etc. that I truthfully didn’t know how to answer. I can’t be sure that he was asking because he expected us to answer in that moment or because he wanted us to think about what he was asking. At the end of what was a remarkably interesting conversation, he handed each of us a multicolored pompom from his pocket, and told us that we are all connected, and to go off and make the world a better place. I still have my multicolored pompom and decided to pay it forward a week later, where I was putting on a performance of my own. He actually used the words “rainbow connection” which coincidentally enough, was one of the songs I was singing in my concert. Before I sang the song, I told everyone the story of meeting this man, gave everyone a multicoloured pompom and told them to go off and make the world a better place.

I think there’s something to be said for this message, especially these days. I cherish that afternoon, and how the offering of such a tiny, pleasant object and kind words impacts me still today. I think we can all take a cue from him. It goes without saying that things are difficult and different right now, but how can you offer your proverbial multicoloured pompom to the world? How can your kindness make a difference? Or perhaps that means showing yourself more kindness and patience. Either way, today I encourage you to spend some time in solitude with the water and perhaps practice a little bit of kindness, whether that be toward yourself or others. It can certainly go a long way and make a world of a difference. Stay well and until next time!


A button with a Red bird sitting on a brown branch. Button Reads - Carousel Players - Theatre you never outgrow


La semaine passée j’avais envie d’aller dehors. J’ai décidé Dimanche matin que j’allais passer autant de temps possible à l’extérieur. Je suis allé au parc et j’ai fait une longue excursion à pied. C’était une belle journée avec un ciel ensoleillé et partiellement couvert par quelques nuages, le vent un petit peu froid mais tolérable, la terre humide mais pour la plupart sec. A un moment, je me suis trouvé dans une clairière entre deux plans d’eau, un lac et le ruisseau Four Mile. Pendant quelques instants j’ai arrêté de marcher, j’écoutais les roseaux dans le vent et je remarquais comment différents les deux eaux étaient. Le ruisseau semblait un bleu profond aigue-marine et le lac une sorte de couleur brune boueuse. Le lac était très calme, presque immobile, même avec le vent léger, mais le ruisseau coulait à pleine vitesse. Il se précipitait et changeait tout le temps. Le son et le mouvement du ruisseau semblaient emporter l’hiver. Quelles différences intéressantes entre le lac et le ruisseau.


Brown trees beside a greens blue creek. The sky is bright blue


En ce moment, je me sens plus comme un lac. Un petit peu boueux (une bonne chose que j’ai porté mes bottes imperméables), tranquille, silencieuse. En vérité, je voulais partir à l’aventure par bateau et prendre la mer! J’imagine que beaucoup parmi nous peut se rapporter à ce sentiment d’être coincé. Peut-être c’est mentalement, physiquement, émotionnellement, spirituellement ou socialement dans nos interactions, dont peut-être il n’y en a pas beaucoup dernièrement. Ne voulons-nous pas que ce soit fini? Que l’on peut être présents pour un mariage, une célébration de la vie, un anniversaire, un brunch du Dimanche, dans une foule à un concert, dans un théâtre assis pour le spectacle, ou à un événement communautaire…Ça fait déjà plus qu’une année.

Je n’ai jamais pensé que je prendrais la rencontre des gens pour acquis. Puisque je suis Coordonnatrice Communautaire pour Carousel Players, j’étais tellement habituée à voir de la foule partout dans la région de Niagara. Dans des parcs, sur les terrains des festivals, sur les rues converties en promenades piétonnes. Je saluerais les gens et je leur dirai bonjour. Lorsqu’on pouvait voir la totalité des visages des gens. Je m’ennuie tellement de rencontrer les membres du public que je peux le sentir dans mon corps. J’ai d’excellents souvenirs des gens que j’ai rencontrés aux événements communautaires en représentant Carousel Players au fil des ans. 


Children wearing masks and looking excited. A few adults are amongst them

Ridgeway Fall Fest


Un après-midi dans le petit village de Ridgeway à leur Festival d’automne, j’ai rencontré un homme incroyable. C’était avant 2020, quand on pouvait se rencontrer en personne. Un bénévole et moi étions en train de distribuer des kits d’artisanat sous la tente Carousel Players comme d’habitude, et un homme s’est approché de nous. C’était évident qu’il était très gentil et intelligent. Un grand penseur. Il nous a posé toutes sortes de questions à propos de la politique, la jeune génération, l’économie etc. et honnêtement, je ne savais pas s’il demandait parce qu’il s’attendait à une réponse à ce moment-là ou parce qu’il voulait que nous réfléchissions à ce qu’il demandait. A la fin d’une conversation très intéressante, il nous a donné un pompon multicolore. Il nous a dit que nous sommes tous connectés par l’arc-en-ciel et nous a encouragés à contribuer à la création d’un monde meilleur. Quel beau geste! Je garde toujours mon pompon multicolore et, la semaine suivante à mon propre concert, j’ai décidé de passer son message. J’allais déjà chanter la chanson “Rainbow Connection”, ce qui était assez ironique, et il m’avait inspiré de donner un pompon multicolore à tous. J’ai raconté à tout le monde l’histoire de la rencontre de cet homme, et je leur ai aussi dit d’aller rendre le monde meilleur.  

Il peut en effet être intéressant d’associer la gentillesse de l’homme, dont je ne sais pas son nom, devant la situation actuelle. Je chéris l’après-midi que j’ai rencontré un nouvel ami et comment l’offre d’un si petit objet et de paroles aimables m’impacte encore aujourd’hui. Je pense que nous pouvons tous nous inspirer de lui. Il va sans dire qu’à présent, tout a changé. Tout est difficile et différent, mais je vous conseille de penser à comment pouvez-vous offrir votre pompon multicolore proverbial au monde? Comment est-ce-que votre gentillesse peut-elle faire une différence? Peut-être vous bénéficierez de plus de gentillesse et de patience envers vous-même. Peu importe, aujourd’hui je vous encourage à passer du temps seul avec l’eau et soyez aimable, que ce ça soit envers vous-même ou envers les autres. Un peu de gentillesse facilite bien des choses. En bonne santé et à la prochaine!


A button with a Red bird sitting on a brown branch. Button Reads - Carousel Players - Theatre you never outgrow



Taking a Piece from Rural Musicians

by SPARC Youth Blogger Alexis Kuper

Growing up in rural Canada as an aspiring musician can feel like an isolating uphill challenge. Then the world throws the COVID-curveball at you and you feel 10 times lonelier than before. Fortunately, there are other musicians in the same shoes as you and they’ve curated some advice: 

Meet Luca Martin, a culinary student and aspiring musician from Drayton, Ontario. He started his journey six years ago when he was gifted a guitar. He’s inspired by classic rock musicians like Neil Young, Bob Dylan, and Led Zeppelin, and is currently working on an EP of covers – called Garage Days – with hope to release it on streaming services this summer. 

Guitar and laptop on a brown table


Martin acknowledges the good and bad aspects that come from being a musician in a rural community. In his experience, small towns seem to “breed honesty,” and he’s not surrounded by “scuzzy” people trying to scam him out of a gig, take advantage of his skills, or tell him something sounds really good when it’s not. On the flip side, his contact with larger musicians and industry professionals is limited to a less lucrative, online approach. This can feel significantly more isolating than pitching yourself in a music-mecca city. 

Fortunately, there are other resources he has found for the young, and possibly broke, musician. He feels that the app and IOS software Garage Band has a large arsenal of basic recording and creation tools for a beginner. He also recommends taking advantage of the online landscape: there are thousands of other musicians and teachers creating content on social media sites like YouTube for you to learn from and interact with. But his most important piece of advice to an aspiring musician is to not give up. It might sound cliché, but it rings true. “The first few months is when your self-doubt is the highest,” he says. “You see other musicians who have been working with their instrument for years and you think ‘I’m not cut out for this.’” 


a young man wearing a black parka and mask stands in from of the brick building. sign on building reads skyline studios.

Dustin Skysmith in front of his business, Skyline Studios


Another rural musician with similar experiences to Martin is Dustin Skysmith. From Mitchell, Ontario, Skysmith is a working musician as well as a small business owner. He’s the owner and operator of Skyline Studios, a music studio that offers DJing services for events and music lessons for a variety of ages, instruments, and skill levels (currently online for the safety of all his students). Believe it or not, his dad was a Garth Brooks impersonator, so music has always been a part of his life and he started playing guitar at the age of ten, 18 years ago. 

Skysmith has also had difficulties connecting with other musicians and finding opportunities away from big cities. However, he is grateful for the connections and networks he can take part in; there is little in the way of competition and due to the close-knit nature of small communities, lots of support. There are other ways to make your career as small town musician fulfilling, as well. A few years ago, Skysmith started The Shelter Project, an annual online charity event each May. 

The Shelter Project is a proud supporter of the Tanner Steffler Foundation – a non-profit aimed to increase mental health and addiction resources/supports in Huron County, created by John and Heather Teffler after the tragic passing of their son. Each May, Skysmith and his students create and preform art online to gather donations for this foundation. 

This year, Skysmith is also working with Blue Waters Music in St. Mary’s, Ontario, and is encouraging artists of all types to get involved – whether it’d be through music, art, or photography, to name a few. This year’s original song for the project is called Beneath and can be listened to on Youtube and other streaming services, and more information can be found here. 


Two men hold an oversized cheque. They are outside

Dustin Skysmith Presenting John Steffler with the Shelter Project’s 2020 Donation


What else can aspiring, rural musicians do? Be willing to play anywhere when opportunities come to you. Playing the intermission at your local high schools’ talent show or softly strumming during the horticulture society’s silent auction may sound boring, but it builds up your network and notoriety where you are. Take advantage of the fact you may find it easier to travel to different small communities and the closest urban centres than an artist operating directly somewhere like Toronto. Furthermore, having versatility in the instruments you play can help you a lot as well as its easier for you to perform in different situations or have more interesting sets – Luca Martin can play bass, guitar, drums, and a little trumpet! Finally, commit to being an integrated part of your community as a musician and it will encourage your community to be committed to music as well. 

And as for our featured musicians? Right now, Luca Martin is finishing up his culinary degree and you can find his first few singles on all major streaming services like Spotify and Apple Music under “Luca Martin.” As for Dustin Skysmith, he’s working hard right now on 2021’s Shelter Project, his music is also available on all major streaming services, and you can find him on Instagram at @dustin_skysmith. 

Rural Arts Space: How Theatres Can Go the Distance

By Guest Blogger Rebecca Anne Bloom


Scrabble tiles spell Social Distancing on a brown background

Photo by Joshua Miranda from Pexels

“But there wasn’t the merest whiff about of the kind of magic that comes when the theatre darkens, the bottom of the curtain glows, the punters settle down, you take a deep breath… none of the person-to-person magic we put together with spit and glue and willpower.” ― Angela Carter, Wise Children

For many theatres in 2020, only the ghost light lit stages where previously stories had come to life. The auditoriums where cheerful and excited audiences once sat lay dormant, blanketed by darkness. Artistic teams, performers, and patrons waited with bated breath as the arts and the world were rattled by an invisible enemy. There appeared to be some home when at the start of March, the Ontario provincial government announced it was investing $25 million into the arts sector; however, many arts and culture spaces in rural or remote communities were excluded. This begs the question; how could theatres stay alive? If we ever come out of this pandemic, would there be any art spaces left?

Although there is a shroud of uncertainty, many rural arts spaces continued to unite and engage the community during a time of social distancing. Places like Theatre Orangeville, the Foster Festival and Westben switched to showcasing performances through online platforms. Artistic teams got creative, focused on ensuring the arts were kept alive and the members of their communities were nurtured with uplifting entertainment. To understand more about how members of the arts community continued to stay optimistic, I looked at the theatres in the City of Kawartha Lakes to learn how they fostered innovative ways to keep performing while ensuring patrons and artists were safe. I spoke with the Artistic Director of Globus Theatre in Bobcaygeon, Sarah Quick, and members of the Board of Directors at Lindsay Little Theatre, to see how rural theatres can still produce quality performances, regardless of social distancing protocols.


Winter photo of a large barn. The top of the barn is red, the bottom is cream. Into centre, just below the peak is a large sign that reads LAB. Below is a banner that reads Lakeview Arts Barn. there is snow on the ground

Photo by R. A. Bloom Creations & Photography


Globus Theatre @ the LAB

Situated just outside of the village of Bobcaygeon, sitting back from Pigeon Lake Road/Highway 17, is a big pink barn. Once a working cattle barn, the Lakeview Arts Barn, is a contemporary 150 seat black box theatre, with Globus Theatre as the theatre-in-residence. A professional summer theatre formed in 2003, Globus as produced over 10 world premieres and over 15 Canadian premieres. Their 17th season was set to be their largest one yet; however, it like many others was cancelled. As restrictions slowly shifted late in the summer, Artistic Director Sarah Quick and Artistic Producer James Barrett saw an opportunity to bring theatre to light once more.

“When we saw the possibility of opening for a smaller season, we immediately knew that we wanted to do something,” explained Sarah Quick. “The LAB is a versatile venue, with removable seating, 7,000 square feet of open floor space and high barn ceilings.” From a play reading series that showcased new Canadian comedies, to a live-streamed improvised soap opera, a festive comedy show to musical performances, Globus Theatre ensured that proper protocols were followed at all times. “We booked based on social circles, removed our curtains to ensure all our tables were 6 feet apart and even invested in a custom 12’x24’ vinyl curtain from Ontario Staging Ltd. to surround our stage.” Having experience with working on a budget, the artistic team knew having a season could be possible, within their parameters. What resulted was their fall Season Within Reason and a winter Sprinkling of a Season which featured dinner and socially distanced live programming for audiences of 50 patrons. This proved so popular with audiences; Globus is forging ahead with an extended summer season with limited audiences but not limited programming!

Lindsay Little Theatre

Tucked away on George St. in Lindsay is a small community theatre that has been in operation for over 50 years. At full capacity, the Lindsay Little Theatre’s (LLT) performance space seats 40 people, which proved to be a barrier for conducting shows during the pandemic. “It is almost impossible to provide quality shows with social distancing, meaning little or no revenue for community theatres but they still have their overheads,” explained Marion Bays, Director of Fundraising and Sponsorship. “To put on a production usually means royalty payments exceed what would be taken in at the door.” So, when the Board of Directors considered hosting theatre events, they knew they would have to get creative. Enter, the Pie Eyed Monk, which forged an amazing relationship with LLT. 

Finding a community partner was a key factor into re-opening for Lindsay Little Theatre. Local restaurant The Pie Eyed Monk was unable to continue catering for larger scale events like weddings. Joining forces to hold a COVID-19 safe dinner theatre experience in their second-floor event space was a win/win for both companies. What resulted was a successful 3 show run of Norm Foster one-acts, which left the audience wanting more. The theatre is excited to announce that another murder mystery dinner theatre event is currently in rehearsals. 

a script is on a table, the title of the golden coloured script is One Actmanship. A mask in a clear plastic bag and a paper sit above the script

Photo from Kathryn Woolridge-Condon from Lindsay Little Theatre


The Case for Rural Arts Spaces

We have seen that over the course of the year, many industries have taken a hit. For anyone wondering why the arts is so important, or why the members of performing art spaces work tirelessly to keep the doors stay open, the answer is simple: the community needs the arts. When asked why Globus Theatre chose to re-open during these unprecedented times, Sarah was quick to say: “our community looks to us to find out what to do. Not only could we answer the social needs of our patrons, but we also hired artists who had their livelihoods put on hold. It was amazing to offer work to performers who didn’t think they would be on a stage for some time.” A similar feeling was echoed from the board members of LLT. “We have loads of ways to see movies and TV shows these days, but really nothing beats the magic of a live show,” stated Logan Geryzmisch. LLT’s President Shannon Peters Bain agreed. “Our human heritage is storytelling, and where there are people there should be theatre. There are always actors and artists among a community and a need to explore society and history through dialogue.” Through the ingenuity of many passionate people, Globus Theatre and Lindsay Little Theatre were able to provide the Kawartha Lakes community and beyond what they desperately needed – hope.

Hello and Bonjour from Carousel Players!

close up photo of the face of a white woman. She wears large sunglasses, earmuffs and a scarf. She is smiling Hi there. My name is Samantha and I’m writing from St Catharines, Ontario, the traditional land of the Haudenosaunee, the Anishnaabe, the Neutral and Wendat peoples. I am very grateful to the original caretakers of this land. In Niagara, I grew up in Welland, Ontario frequently walking along the Welland Canal and having picnics at Merritt Island. Now a resident of St Catharines I frequently visit Rotary Park, a beautiful place with paths surrounding a big open field, and trails that lead to the Four Mile Creek. I thrive on the healing properties of this land and water, and I wish to ask, how will you connect with the land today? By writing this, I hope to create a safe space for all. Welcome!


I’m so excited for this guest blogging opportunity, and even more excited to represent the organization I work for, Carousel Players. Founded in 1972, it is one of Canada’s oldest and most respected professional theatre for young audience companies with roots in the Niagara Region. To learn more about Carousel, visit us h e r e : w​ w w . c a r o u s e l p l a y e r s . c o m . ​

I am the Outreach Coordinator for Carousel, which means under normal circumstances I participate in local events and help facilitate our own. I get the wonderful opportunity to interact with children and families in all corners of the region, from Fort Erie to Grimsby, and everywhere in between. My favourite part about my job is meeting people from all walks of life and engaging with them. I love when I meet a parent who tells me of their fond memories of seeing a Carousel Players performance when they were in school, or speaking with a child who has recently watched a performance. I joined the company in 2019 back when in-person events were allowed, and I miss interacting with people terribly.

We all love theatre here, am I right?! And of course, none of us can gather in person, anxiously waiting to take our seats and share in an experience together, and that hurts. So many arts organizations have had to grieve the loss of live performances, feverishly try to cope, and quickly come up with ways to engage with our audiences.

This year, one of the ways we ​pivoted​- one of my least favourite words now as it is no longer used as a fun dance move – is that we were still able to create some phenomenal experiences, one of which wan outdoor scene, three larger than life puppets (puppeteer by at least two people) are in a filed. Audience is dispersed between the puppetsas our Giant Puppet Party. There we were in September of 2020, prepared to welcome families to our large-space event featuring a 12 foot puppet, and not two days before, the government announced new restrictions that only 25 people could gather outdoors. Talk about a let-down! With this news I sadly informed some of the families that we could only accept the first few who registered. Fortunately, people were very understanding, and the event wasn’t cancelled altogether! The few families who could attend brought their amazing homemade puppets, we did some funky moves together, a little dance, and we all went home!

Then in the fall, our incredible team madefabric overlaying a box. The fabric has a glittering effect theatre magic happen again when they created Halloween Happening, an indoor large-space event that allowed families to walk through different “rooms” inside the FirstOntario Performing Arts Centre. Kind of like a haunted house, but no jump scares, and we kept the creepiness factor to a minimum. It included a fairy room, a pumpkin patch, a giant witch puppet and her cauldron, among others. The selected entry slots filled up so quickly and before we knew it, we were sold out! I was elated! Not only would I get to see more families in person again, but this time they would all be in costume!


Winterworld was another unique event that came out of last year. In the atrium at the St Catharines Public Library, our team created a beautiful snow queen installation with multiple dioramas surrounding her, including a bunny hill with tiny little bunnies on skies. It was magical.

a large snow queen stands on a pedestal

Even though we experienced the disappointment over and over again of plans that didn’t come to fruition, we were still able to
make magic possible, and that gives me the warm and fuzzies. Was it the same? Of course not! But experiencing the joy and excitement of others as they danced with our giant puppet Nadine the Ondine, or entered the Dragon room in Halloween Happening, or set eyes on the tall majestic snow queen still put a smile on my face and gratitude in my heart.

One of my favourite moments of last year was the bravery of a little boy who got frightened while inside the Halloween Happening and immediately rushed to get out, only to tell his parents that he wanted to go back in, and try to go through the experience slowly so he could face his fear. What a hero! I think we can all take a cue from this little boy and find ways to be adaptable and face what scares us, even in the midst of a pandemic, especially at a time where the need for support and connection is so great.

Thank you for reading. If you’d like to connect, please email​ and I will gladly chat with you. Stay safe, and until next time!



Bonjour! Je m’appelle Samantha et je vous écris aujourd’hui de St Catharines, Ontario, le territoire traditionnel des peuples Haudenosaunee, Anishinaabe, Neutral et Wendat. Je suis très reconnaissante aux pclose up photo of the face of a white woman. She wears large sunglasses, earmuffs and a scarf. She is smilingremiers habitants et gardiens des terres. Je viens de Welland, Ontario au centre de la région de Niagara. Pendant ma jeunesse j’ai rendu visite au canal Welland et à l’île Merritt fréquemment. Maintenant une résidente de St Catharines, je vais souvent au parc Rotary pour une promenade. C’est un très bel endroit avec des sentiers, des bois, et des chemins qui vont jusqu’au bord de l’eau du ruisseau Four Mile. Je prospère quand je suis dehors grâce aux propriétés curatives de l’air et de l’eau, et je voudrais vous demander, comment allez-vous connecter avec la terre aujourd’hui? En vous écrivant, j’espère pouvoir créer un espace sûr pour tous. Bienvenue!

Je suis excitée d’avoir l’occasion de vous écrire, et même plus excitée de représenter l’organisation pour laquelle je travaille, Carousel Players. Fondée en 1972, elle s’agit d’une des plus vieilles compagnies de théâtre pour jeunes publics au Canada, et elle se trouve ici à St Catharines. Si vous voulez en savoir plus, visitez​.

Je suis Coordinatrice Communautaire pour Carousel Players. Je participe et aide à organiser des événements qui se déroulent directement ici chez nous ou des activités dans la communauté. D’habitude, j’ai l’occasion d’interagir avec des familles en personne dans tous les coins de Niagara. Ce que j’aime le plus c’est de rencontrer et parler avec toutes sortes de personnes. J’aime beaucoup rencontrer des parents qui partagent souvent leurs expériences et bons souvenirs de nos spectacles lorsqu’ils étaient jeunes. J’aime aussi m’engager avec les enfants lorsqu’ils regardent une pièce de théâtre. J’ai commencé à travailler avec la compagnie en 2019 quand les événements en personne étaient possibles, et rencontrer des gens me manque énormément.

Tout le monde ici adore le théâtre, n’est-ce pas? Et malheureusement, ce n’est pas possible de se rassembler et de participer à une pièce de théâtre ensemble. Ça me fait mal au cœur et je suis certaine que je ne suis pas la seule personne qui ressente la même chose. Beaucoup d’organisations artistiques ont dû naviguer des moments difficiles et trouver des solutions créatives pour leurs auditoires.

an outdoor scene, three larger than life puppets (puppeteer by at least two people) are in a filed. Audience is dispersed between the puppetsL’année passée il a fallu que l’on pivote nos activités. (Pivote est un mot que je déteste maintenant car quand j’entends le mot “pivoter”, je pense à la danse, et maintenant il est rarement associé à la danse). Nous avons créé des expériences théâtrales non conventionnelles, dont l’une était la Fête de Marionnettes Géantes en Septembre, un événement dans un champ incluant notre propre marionnette à douze pieds, Nadine. On était près à accueillir tout un certain nombre de familles, lorsque tout à coup, le gouvernement a annoncé que seulement 25 personnes pouvaient se rassembler dehors. J’étais tellement déçue! Regrettablement, j’ai contacté plusieurs familles pour annuler leur inscription, et seulement les cinq premières familles ont pu participer. Heureusement la fête n’a pas été annulée complètement et quelques familles sont venues pour célébrer avec leurs marionnettes! Ensemble nous avons chanté et dansé et c’était vraiment amusant.


fabric overlaying a box. The fabric has a glittering effectA l’automne notre incroyable équipe a créé de la magie théâtrale de nouveau quand on conçu Halloween Happening. Cette Fois situé dans un grand espace à l’intérieur du FirstOntario Performing Arts Centre, l’événement a permis aux familles de se promener une à la fois parmi plusieurs scènes avec des thèmes différents. C’était un petit peu comme une maison hantée, mais pas aussi effrayante. Quelques exemples de scènes: une chambre de fées, un champ de citrouille et une sorcière gigantesque avec son grand chaudron. L’événement était présenté à guichet fermé! J’étais tellement contente! J’aurais l’occasion de revoir plusieurs familles en personne ET toutes en costume!


Ensuite c’était le temps pour Winterworld. Dans la cour intérieure de la Bibliothèque Public de St Catharines, on a construit une installation comprenant une reine de neige dans une robe blanche élégante, et plusieurs dioramas qui l’entouraient. Par exemple, une petite piste de neige avec des tout petits lapins qui faisait du ski. C’était très beau, adorable et magique!

a large snow queen stands on a pedestal

Même si rien ne s’est passé comme prévu l’année dernière, on a été capable de créer quelques expériences pour nos communautés. Est-ce que cela a évoqué les mêmes sentiments en moi que l’an 2019? Absolument pas! Mais au moins j’ai eu la chance de voir des familles et des enfants qui riaient avec notre marionnette géante, ou qui s’amusaient avec le dragon à Halloween Happening, ou qui étonnaient la reine de neige majestueuse au centre du lobby. Même si ce n’était pas la même chose, ça m’a mis un gros sourire et de la chaleur dans mon cœur.

Un de mes moments préférés de l’an dernier était le courage d’un petit garçon qui a eu peur dans le H​ alloween Happening​ et s’est précipité dehors sur le coup. Tout de suite après, il a dit à ses parents qu’il voulait réessayer de refaire l’expérience au complet une autre fois afin d’affronter sa peur. Quel héros! Je pense qu’on peut tous apprendre de sa bravoure. C’est possible d’être adaptables et de faire face à ce qui nous fait peur, même en pleine pandémie, et surtout à un moment où le besoin de connexion humaine est tellement fort.

Merci d’avoir lu mon premier blog. Si vous voulez communiquer avec moi, envoie-moi un email ​et ça me fera plaisir de vous répondre. A la prochaine!



The final blog in a series by SPARC Guest Blogger Denise Lysak.


I will start my last blog, by raising a glass to writers everywhere. storytellers playwrights songwriters

i am simply taking on a role that was not assigned to me
I am the raconteur and in this, my last blog, for SPARC, I will share with you my observations from the Northern Ontario Touring Conference (NOTC) that took place in November

over the course of three consecutive Thursdays.

It was led by amazing facilitators and the host organization was Pat the Dog. If you are curious about their mission and mandate, I encourage you to google Pat the Dog.

Here is the Link: Pat the Dog

this last blog is intended to ignite          to spark          to be deeply personal

For so many of us, COVID-19 is challenging our very existence. Touring is cancelled. Theatres remain closed. Arts spaces are shuttered. we as a community are confronting more than one

a health crisis      an economic crisis          and, dare I say. An Identity Crisis.

So many people in so many communities

Are desperate. For RELIEF. For HOPE. For the Seuss-like world

we are living in

to be OVER. No offense to theodor seuss geisel

The Grinch is peeking out from a green face mask. The words 'Six Feet People" are to the left of his face. Only his eyes, part of his nose and one hand are shown.

Friends are out of work. Projects on hold. people have been uprooted. missions and mandates collect dust just like


Elf on a Shelf

An Elf on the Shelf toy sits inside a glass jar, a countdown calendar sits belies the jar - counting down the days until the elf is out of quarantine

participants in the conference, yes a virtual conference, online, with no doughnuts in the morning, no drinks in the evening, no hugs in green rooms or rehearsal halls or lobby bars

were asked to share BIG IDEAS, to reference the past to talk about the present to look at the

f             u            t                u                 r            e

If this is hard to read

Know that is intentional

If this is uncomfortable


Yes. The breakout rooms were aspirational. Yes. The icebreakers were fun and I might even steal a game or two to use in future zoomESQUE meetings. Yes. The gym classes gave new meaning to

Yogis everywhere. And, if you ever wondered what clowning is like for the uninitiated; make new friends.Look for Aga Boom, run-away Cirque clowns when they return to the stage.Take your kids to theatre school and enroll them in a clowning class. Go to an outdoor festival and say “hello” to a clown.

ARTS and culture

Like Trade, like agriculture, like the sciences

are tools to harness the power of people to be better, to elevate

the humanities for the

common good.

We need to fight like hell to be here, to get to the other side, to be relevant once again.How do we forge opportunity out of crisis, out of a convergences of crises?I have no illusions about the long road ahead of us. About the difficulties and obstacles in our way.

We can do anything!
We can be anything.
With confidence. With boldness. And, above all with a new agenda.

So that artists can shape

our landscapes and skylines

for audiences everywhere

in 2021 and BEYOND

It is not lost on me that we






And, here we are with a different kind of holiday season before us.Who will go                                                                                                                                                            caroling?

Who will deck the halls?

Who will serve up figgy puddings?

So as we continue to #shelterinplace and #stayhome, please watch

Snoopy’s Christmas vs The Red Baron by The Royal Guardsmen

Attending the conference was a gift. Being a guest blogger for SPARC was a gift. You have given my words space to fly.

And, in the spirit of giving as people across the globe celebrate


Snoopy sits in front of a red kennel. It has snow on the roof, gifts and Christmas lights. The Title is Snoopy's ChristmasHanukkah                                                                                                                                             Kwanzaa                                                                                                                                        Christmas,





I will end where I started. With a toast to the writers. In this case, songwriters.

Daniel, Daniel, and Sheena.

Yes, there are



This is my wish for all of you…

A SIMPLE KIND OF CHRISTMAS in a complicated time by

Red Moon Road


Creative Spaces – a Photo Essay

Our Guest Blog this month is a photographic essay with text by Dee Lysak and photos by Wanda Kabel-Easton.


The still images are shared in black and white. They represent a mapping of cultural spaces – up and down the King’s Highway #71, in the Township of Sioux Narrows-Nestor Falls.  Rural and remote communities and the people that reside there, alongside of their urban counterparts, are living through a once-in-a-lifetime global health pandemic. This photo essay explores the sad reality of so many spaces that are  shuttered, indefinitely. 



















black & white photo - the outdoor stage for the Moose & Fiddle Festival, a wooden structure with a roof and no floor or sides

I sit empty. Vacant. Waiting. Wood beams, pine boards, asphalt shingles. The quiet surrounds me.

This summer – the woodland friends kept me company. The blue heron in the reeds on Caliper Lake. The blue jays. Nuthatches.  Jackrabbits.  The sounds are familiar, yet others are missing.

I am purpose built. I am an outdoor stage for the Moose n’ Fiddle Music Festival. I need musicians: singer-songwriters, guitar players, drummers. I miss the audience. Where has everyone gone?





black & white photo of a boat exhibit. a small speed boat is left with a sign in front of it with a fish and writing on it - the writing is not erasable, other exhibits are in the background to the right

Imagine. Tables and chairs. A painter’s workshop.  Folk art. Tyler Boyle. Bridge & Falls Creative Residency. A potter. A writer. A playwright. A geologist. A reading. Artist talkback.

People entering. Take your seat. People. All walks of life. Indigenous. Non-Indigenous. Young and old. The lights dim. A live performance of AN ILLUSTRATED HISTORY OF THE ANISHINAABE by Ian Ross. Performed by Ian Ross and James Durham. Laughter. Applause. Cold brew coffee. Pastries. Q+A. Conversation.

In the here and now, all alone. Waiting. Patiently. For the next act. For friends to come again. Enter. Exit.







black& white photo - a wooden and glass structure sits on the edge of a hill, forest behind it

Wood. Light. Air. Sun. Wind. Rain. 

I am ON THE ROCK. I am the inspiration. Artist-centred. To work. To create. To take deep dives into artistic practices. Creative minds. Come and go. The window opens. The cool breeze rushes in.  Poet’s linger. Laptops. iPhones. Pencils. Paper. Voices. Movement. Artists play.

I am ON THE ROCK. I am transformed. I am a satellite performance space. Playing now. 14 Chairs. Pop up performance. First set: Charlie Madden and Jake Blosser.  The music echoes over the Canadian Shield. Sitting here at the head of a trail.  In the deep, dark woods. Twilight is upon us. The moon rises.  

When will we meet again? Soon, I hope. 





black & white photo - a covered wooden pavilion sits on a hill. tress surround it. picnic tables are inside of it

Summer picnics. Let’s break bread together. BBQ, grills are fired up. Smokers: hickory, applewood, mesquite. In my mind’s eye. Coolers are everywhere. A buffet table.  Red + white checkerboard cover.  Side dishes. Cold salads. Condiments. Families. Aunts and Uncles. Grandma, grandpa, mom, dad, cousins. Friends.

On the lawn. Children play: hopscotch; red rover, red rover; duck, duck, goose.  Minnow races.  Dogs on and off leashes.  Beach towels. Clouds roll in. Thunder and lighting. Rainbows. Campfires. S’mores.  Sing-alongs. Ghost stories. 

Art in the Park?  Crafters. Displays. People roaming. Wifi on. Bags filled. Transaction approved. 

Shelter in place? Am I now redundant?  Do I still exist? Without living – breathing human beings, I am just a shell.

fire and water

A new piece by Guest Blogger Denise Lysak.

I will start with the words of Antoine de Saint-Exupery, “A rock pile ceases to be a rock pile the moment a single person contemplates it, bearing within her the image of a cathedral.” I think this is a perfectly good place to kick-start this blog titled ‘fire and water’.  

The Moving Gallery is just a tiny structure with windows, walls and wheels OR maybe, if you let yourself imagine, it is so, much more. With every artist that worked on this project – the Moving Gallery became a living, breathing exhibit and exploration around the theme of water. It was infused with original works of art: all informed by thoughts, sensibilities, care, connections, history, brush strokes, stories, photos, sketches, reflections, impulses, charisma, and courage.  


four children sit on a brown leather couch, adults are standing and chatting to each other behind them. Three of the children are eating, the fourth (on the left of the couch) is looking at the camera and smiling.

Photo Credit: Opening Day for the Moving Gallery, June 2017 | Northern Ontario Sportfishing Centre, Sioux Narrows, Ontario, Canada


Chalkboard with writing on. The top reads: Water is.... below words placed on in various places read: reflective, life source, rain, refreshing, l'eau, fun, getting polluted, tears of... pain joy, puddle and more

Photo Credit: Chalkboard Wall, Moving Gallery, Design and Build by Chrissy Sie-Merritt


two tree trunks made into stools are in front of a table. On the wooden table are iPods and headphones. Above the table is a painting. On the left wall are photos hung on string and a bucket hanging from the ceiling.

Photo Credit: Cherry Orchard and Photo Wall by Nicola Cavendish | Podcast Station by Ian Ross | Drop of Water Painting by Chrissy Sie-Merritt


A woman in a white dress with colourful stripes on the bottom - a Jingle Dress - crouches on a rock at the side of a body of water. She dangles the fingertips if her right arm in the water.

Photo Credit: Jingle Dress Photo Gallery by Kate-Lynn Paypompee


Photo of an oil painting of sunset over a body of water with clouds in the sky

Photo Credit: Original Painting by Chrissy Sie-Merritt


headshot of a caucasian male with short salt and pepper hair. He wears glasses that are black rimmed on top and without rims at the bottom. He is wearing a collared, striped shirt. There are windows in the background.

Photo Credit: Ian Ross – Governor General’s Award-Winning Playwright | Creator of Podcasts for the Moving Gallery


a small, low wooden table with water and blue coloured bubbles in it

Photo Credit: Water Sensory Table | Design & Build by Crissy Sie-Merritt


The MOVING GALLERY, is a tiny mobile studio fitted with art installations: iPods with recorded podcasts, visual art pieces, interactive exhibits, chalkboard walls, mechanical flipbooks, and ‘selfie” corners – created and developed by amateur and professional artists, from Indigenous and non-Indigenous communities across Canada. The Moving Gallery travelled to fairs, farmers’ markets, festivals and forts throughout the summer of 2017, in celebration of Canada’s sesquicentennial.  

With the Moving Gallery, audiences and artists came together in a tiny space and as you took your first step in, you were submerged in the soundscape by Gerald Laroche.  Sounds of crashing waves, rain drops and the call of the loons supported an immersive experience. The tiny studio engaged audiences in a sensory experience, from hearing and seeing to touching and feeling.  

In 2020, fires have raged and continue to destroy vast swaths of land, endangering town, cities, human life, wildlife, natural and built environs. Our work as creators is to create conversations, to evoke critical thought, to challenge perceptions, and, yes, at times, to simply entertain. The installations that were part and parcel of the Moving Gallery, celebrated in part our nation’s sesquicentennial in 2017 and the larger gift of water.  And, it is in that polar opposite that moves me to discover the dichotomy of fire and water.  


Fire and Water word map with many words written on it - easiest to make out are: Word, Moving Gallery, Ebb, Art, Time, Cloud, Lake, Paintings. There are many more words on the poster that are not as easy to read.

There are words in the “cloud” that jump out at me: scorched earth, evacuate, climate fire, ash, water and life. The word cloud hints at a serene landscape – with the green of mother earth veiled by the light and airy atmosphere from above – all while taking another turn around the sun, in that idea of a year.  In our utopia, this would fairly represent planet Earth and all of its inhabitants, creatures great and small. Our world view tells a very different story and suggests a reality that is far from the idyllic imagery suggested above. How do we reconcile the two?  With art.  With art that opens windows to the world.  With art that boldy illustrates the world we live in and challenges, all of us, to imagine and build an even better one.  With art that touches our souls, heals our minds, and moves our bodies to act.  Now.

THE WHO’S WHO, MOVING GALLERY                     Artistic Curator Denise Lysak

PRIMARY CREATORS                                                      TINY STUDIO DESIGN TEAM

Nicola Cavendish | Writer                                              Erik Arnason, Eduardo Aquino, Shawn 

Wanda Easton | Photographer/ Blogger                     Bailey, Chrissy Sie-Merritt, Shawn

Gerald Laroche | Soundscape Artist                            Sinclair

Kate-Lynn Paypompee | Photographer                       Elyse Hartman | Gallery Guide

Ian Ross | Storyteller

Chrissy Sie-Merritt | Visual Artist

Building Community Media

Today’s blog is an introduction to next week’s Expert Chat – My Voice Counts: Building Community Media In the Internet Age, by Victoria Fenner.


beige and brown portable radio with blue buttons and ed dial on the front


I’ve lived in a community with its own community radio station for most of my adult life. 

For the first part of my life, that was coincidental.  My first experience with community radio was at university.  Back in the 80s, that was the most common form of volunteer produced community radio.  Though based on a university campus, the mandate of campus based stations was to serve both the campus and the community. 

In recent years, especially the past ten years or so, there is a new trend developing.  Small towns all over Canada are starting their own stations.  In places like Picton, Cobourg, Stouffville, Huntsville and Haliburton, people have started their own non-profit based radio stations.  

What this means is that people can turn on the radio and hear people on the air from their community.  They can hear their own local musicians, sometimes even playing live from the studio.  It’s also not uncommon to hear poetry, radio drama and sound art on the airwaves.  The best thing for me, as a listener, is that I get to hear what my neighbours are doing. 

As a producer of sound art, it also means I can get my work on the air. My neighbours can hear me. I can also hear about exhibitions coming up, events in the community and also (if there are shows that do information programs), I can hear what my town council is doing to make sure my community is a healthy community for arts to flourish. And call them to task if they’re not.

There are many things that community media does beyond art – in this column I’m focussing mostly on performing arts because the mandate of SPARC is to promote performing arts in rural and remote communities.  Community media – radio, television, internet based or even good old fashioned newspapers, can do that.  

It’s important to have media which supports your community. A growing number of communities are realizing that the best way to ensure that the needs of the community are being met is through community ownership of its own media.  So they’re setting up their own community media organizations.  Some have radio stations, some have internet portals and some of them even have their own standalone over the air TV station. 

If this idea intrigues you, there are a few organizations who can help.  If you want to learn more about community radio, the National Campus and Community Radio Association ( has a list of all its members (mostly in English speaking Canada), as well as resources to read about how to set up a station.

For francophone communities, you can go to the website of ARC du Canada – Alliance des radios communitaires ( ).  There are also many Indigenous community radio stations in Canada.  You can also check out the website of the Community Radio Fund of Canada, , an organization set up twelve years ago to help fund community radio across Canada (disclosure – I am on the board of the CRFC).

I’ve used radio as my first example because that’s the medium to which I have dedicated most of my life’s work.   Right now, I’m also branching out into community television and exploring new concepts like video gaming and virtual reality with one of my colleagues.  (another disclosure – I also work in community television too with the next organization I’m going to tell you about).


old fashioned television with dials on the right and rainbow stripes across the screen


If you’re interested in television, video gaming and virtual reality, check out CACTUS – The Canadian Association of Community Television Stations and Users (  CACTUS was established about ten years ago by a group of people who saw the need to support the emerging community television sector beyond the usual model of community channels owned by the big cable companies. For a whole bunch of reasons, many of those stations have been closed down, leaving communities without a way to reach each other on television.  

CACTUS’s vision includes working with communities to help them develop community media across all platforms – not just radio and television, but also community based virtual reality and video games. 

Whatever distribution method you choose, the important thing is that it’s media produced for your community by people IN your community.  Because that’s what real community media is.  It’s not just some corporation creating media FOR you.  It’s about media created BY you.

If you would like to learn more about community media, I will be doing a webinar for SPARC where I can answer your questions about what’s involved in starting a community media organization in the place where you live. 

Details about the Expert Chat: Wednesday August 26 at 7pm on the SPARC Member Network Facebook group page (click here).

VF bio:

Victoria  is a community builder through media arts.  Whether she’s facilitating an arts camp, running a community radio, television station or community internet portal; or helping community groups develop their fundraising plans, she enjoys helping people find their unique role within a shared purpose.  She integrates principles of socially engaged arts practice in her projects, conducting story circles, acoustic ecology  and participatory media arts workshops.   She is also a radio journalist and environmental sound artist who is constantly exploring new ways to listen.  She lives in Barrie with her partner, singer songwriter Edward St. Moritz. 

Making Things Count: Pandemic Postcards Documentary

Graeme Bachiu takes us inside his pandemic documentary journey.

I decided fairly early on in the pandemic (late March or early April) that I was going to have to do something while I was stuck at home, projects cancelled and clients gone radio silent with 4 and a half year old twins trying to grasp junior kindergarten delivered by hardworking teachers suddenly thrust into an uncomfortable situation. Yet I noticed on social media some interesting stories in Haldimand Norfolk as the pandemic progressed.

Of course, I knew that I’d have no real ability to produce content in the conventional way, the before pandemic way…I’d have to come up with a new way of doing things. I collaborated with some close friends on some text message brainstorming and put together a bit of a plan.

on left is a photo of a senior man, on the right he stands at a window, with assistance, and looks at guests outside

Roy Alton, a long term care home resident in Dunnville who appears in the documentary, visiting with his family through a window.


For over a year I had been delivering low-key one-on-one cellphone filmmaking training sessions and I figured that would be the most likely way to capture content and stories for a documentary film. I created a six minute tutorial video which I sent to my eager potential storytellers and asked them to answer some questions by speaking directly to the camera at a quiet moment. I wanted the end product, a series of vignettes about how people were coping or in some cases thriving, to be personal and introspective. I set them loose on shooting some b-roll and asked for everything to be uploaded to Dropbox at which point I would begin to do some editorial.

Of course, there’d be some revisions and re-shoots and I enlisted my regular team of professionals to do an audio mix, colour correction and some motion graphics. We accomplished this all on shitty rural internet, using Slack to keep the team in touch and the wonderful folks at to pass our footage back and forth. We shot some footage ourselves, observing strict distancing, leading me to believe that this is the first 100% socially distanced documentary series produced during a pandemic in Ontario…and possibly in Canada?

split photo - on the left a photo of a man in an audio recording set-up, on the right the same man sits at a desk

Filmmaker and Musician Craig F. Watkins, from Delhi, has made hilarious music videos from his basement during the pandemic.


After I finished a provisional edit on the first episode (I had about 4 planned) I contacted Bell Media who I had a previous business relationship with and they were very excited, opting to purchase and air three episodes. In the middle of a serious public health emergency I was able to produce an hour and a half of interesting stories with a rural perspective, get it sold and aired on a national broadcaster and pay my crew. We turned the entire production around in 5 weeks…timely, quick, entertaining and poignant. It featured child care workers, a long term care facility, songwriters, cafe owners, people thrust into working in agriculture and some of the first people in Canada to test positive for COVID-19, all told in intimate stories and knitted together with sea shanties, old-timey banjo music, brass quintet music from 150 years ago and funk songs about not showering in 10 days. I figured what the hey, the broadcasters have never been more desperate…time to up the weirdness. If I didn’t have kids I would have shaved two weeks off the turnaround.

Executive Producer Carole Aeschelmann and I have a passion for telling stories about the rural areas of Ontario and Canada and, aside from the thrill of creation and the pride of doing something different and unprecedented I take great pride in generating some revenue for the people who work with me.

A blonde woman in a light green top plays guitar and sings. She is sitting in front of a wood pannelled wall.

Singer/Songwriter Whitney Fowler from Cayuga talks about running her cafe during the pandemic.


Making Things Count: Pandemic Postcards is now available to Bell Fibe subscribers on Bell Fibe TV1, channel 1.